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Velta Genius Installation Artists

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Following the came a deluge of street art. No longer was public expression under the thumb of the oppressive Ministry of Culture. Instead, political, cultural, and social expression took the form of bold designs and striking colours, adorning Cairo’s walls and buildings. However, contemporary art in is not limited to this street view as artists in past decades have consistently explored Egyptian heritage across different mediums and in distinctive and alluring ways. We profile 10 Egyptian artists to watch. Came to the forefront of Cairo’s graffiti scene in 2012 when he painted a memorial mural.

Artists

His concern with retaining and reviving Egyptian identity is immediately apparent in his so-called ‘Neo-Pharoanic’ iconographic style. By utilizing Egyptian heritage, Awad places current political issues within the linear trajectory of Egyptian history. The ruler and the ruled, the oppressor and the oppressed; these persistent binaries are nowhere more overt and questioned than in Alaa Awad’s spectacular wall murals. Or ‘bicycle chain’, is a graphic designer who has been very active In the contemporary art and design scene since 2007. He has a great distaste for existant labels and calls what he does ‘Concept Pop’.

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The name ‘bicycle chain’ is intended to suggest that the function of artists is to push forwards change. This is a belief that has driven much of Ganzeer’s artistic actions. Following the revolution that ousted Hosni Mubarak in 2011, Ganzeer began engaging in an ‘alternative media campaign’, distributing politically charged stickers, flyers, and questionnaires. While some have debated whether he is an activist or an artist, true consideration of his works leads to the realization that for Ganzeer, there need be no distinction.

Is a man of many talents. Using painting, photography, video, installation, and graphic design, he is not a man to be pigeon holed. His portraits from his most recent exhibition, engage in the Egyptian tradition of portraiture in a way that challenges all previous assumptions. The women depicted do not sit passively, but stare back at the viewer, seducing and challenging; they are clearly women with stories.

In contrast, he uses video in his piece, as a means of documentation, in order to demonstrate the wide range of activities that occur across Cairo in a given moment, one year after the Egyptian Revolution. Sculptures are imposing and haunting, with edges impossibly smooth and lines declaratively drawn. There is a clear harkening back to an; his figures are clear suggestions of the harmonious forms of Ancient Egypt. Walking around a display of his sculptures with artfully falling light gathering up shadows behind each figures, silence is necessary, as the figures appear to demand it. Egyptian artistic heritage has developed with the times, but its integrity and resonance has not wavered.

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A selection of his works can be found in the Museum of Modern Egyptian Art, Cairo. (Arabic for ‘the Dragon) is a street artist who truly gained prominence during the 2011 Egyptian Revolution. His stencil works have been determined by many to be icons of the 25 January Revolution.

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Much of his work has been short-lived, as in the early days it was removed as soon as it appeared, particularly an image of Mubarak with the word ‘leave’ underneath. While perhaps not as decorative as the others in this list, El Teneen’s works are sharp and loyal to a clear message. If you are lucky enough to come across his work on the streets of Cairo you are sure to understand that the iconography of discourse has manifested as art on the street.